Discover the nostalgic elegant designs of Olga Vilshenko

There’s something about the work coming from Russian designers at the moment that seems perfectly suited to the current need for comforting nostalgia. 

The use of traditional motifs and techniques combined with a casually elegant femininity of flounces and fine details creates a dreamy world of soft primness a world away from the everyday dramas of our modern lives. 

Scrolling around Instagram with all the extra time on my hands, and having a current obsession with the themes of Dark Academia and Cottagecore, I found myself immersed in a new fashion world, that of designers from Russia. 

First on my list of discoveries was Vilshenko, founded by designer Olga Vilshenko who grew up in Soviet Russia, where her choice for clothing was far from fashionable and very limited. As she writes about the founding of her brand, which is now based in Shoreditch, in the UK, her mother made clothes for family and friends, while Olga and her sister helped out.

“Over time, by helping her, I learned the skills to create clothing and fell in love with the idea of fashion and clothing design. For my mom, making clothes was both a hobby and a supplement to her wages, but I knew that I wanted to make it my focus in life,” writes Olga.

Her unique blend of traditional Russian motifs comes from the inspiration of Russian folklore. 

“I really enjoy taking those stories and elements of history and bringing them to the modern age. Vilshenko clothing always features traditional Russian clothing styles and patterns, such as khokhloma or gzhel, which I think are incredibly beautiful and lend themselves perfectly to modern fashion,” explains Olga.

The journey hasn’t been completely painless. Coming from a town with no fashion education available, Olga originally trained to be an accountant, then was lucky enough to get an opportunity to study first at the Chelyabinsk Humanities Institute, and later after moving to London, at the London branch of the Istituto Marangoni.

A short time after she graduated, Olga launched Vilshenko, but it wasn’t easy.

“This was a very tough time for me, and I think the business side can make it hard to focus on creativity, especially at the beginning. I believe I was very lucky to have a great term behind me at the start,” Olga writes. 

“In fact Sarah Richardson was one of the people who helped steer my designs more towards my Russian heritage, which is something I had been unsure about. When we put together a lookbook of designs it showed that this had been the right choice.” 

Vilshenko’s aesthetic is a clever mix of classically feminine shapes and the strong traditional motifs from Olga’s Russian heritage. The use of fine techniques like embroidery, felting, pintucks and beading adds a richness to what would otherwise be simple garments. 

The brand also has a vintage edge with silhouettes that are reminiscent of the 1930s and 1940s; there is also a touch of 40s tomboy flare with flat-front trousers, delicate collared blouses and soft, fluffy sweaters.

“Vilshenko is about elegance and a delicate style, but with a strong character,” writes Olga. 

“Women who wear Vilshenko are, I feel, creative and playful and perhaps have a slight Tomboyish sparkle to them. But they revel in their femininity and want to wear something that is classically stylish without sacrificing their comfort.”

The brand uses all natural fabrics, and organic fabrics when available, while also monitoring their supply chain to ensure the sources are as sustainable as possible. Vilshenko has also stopped using real leather or suede, instead opting for the best versions of faux products available. 

“Although the awareness around sustainability in clothing is something that has recently gone mainstream, it’s an ethos I’ve always followed for my own designs. Growing up, my mother would often mend clothing or repurpose other fabrics or offcuts, and I keep the mindset of sustainability in every collection we do,” writes Olga.

Thoughts of Russia’s winters naturally make one think of furs, but while still loving the aesthetic, Olga says that “we believe it looks better on the animal, so we strive to use only the best quality and most sustainable faux fur in our designs”.

Ethical manufacturing is also something the brand takes into account when producing garments: “We know that the well-being of factory workers and the local economies where our designs are made is just as important as the materials we use.”

Vilshenko uses factories in India, Nepal and Europe, and according to Olga the brand regularly checks on the treatment of workers and that the factories are in accordance with regulations and labour laws.

Celebrities like Florence Welsh, Gwyneth Paltrow, Heidi Klum, Natalia Vodianova and Alexa Chung are fans of Vilshenko, but for Olga it is the “woman in the street with a unique sense of style” who really inspire her.

“She could be from any cultural background, but she loves traditional feminine motifs and vintage fashion and understands how to wear them.”

You can buy Vilshenko online at www.vilshenko.com, and follow the brand on Instagram at @vilshenko_official

13 stylish sustainable Australian homeware brands to discover

Australia is home to not only a burgeoning slow fashion movement, but also to a slew of homewares brands that are likewise focused on sustainable and ethical production practices. 

With everyone still mostly locked down across the country, the focus on our homes has seen an increased awareness of what we really want when we are making our nests more comfortable – style and coziness without a corresponding impact on the environment. 

ABODE LIVING

Established by the same Melbourne family behind Australia’s top bedding brand Adairs, Abode Living is was set up in 1991 after selling the original business to focus on creating handcrafted luxury bedding in small, hand-sewn runs of sheeting and quilts. The brand produces in Australia using fabrics from around the world manufactured at ethical facilities. While offering the usual sheets and quilt covers, Abode Living also produces its own filled quilts and pillows, towels and bathmats, table cloths, napkins and placemats, throws and cushions and even sleepwear and loungewear – basically everything you need for your home that is made from fine fabrics. The brand also has plans to move into creating furniture hand-crafted in Melbourne. Go to: www.abodeliving.com

DOLLMA DESIGN

Established in 2014, this Melbourne brand creates hand-crafted homewares specialising in woven baskets and bags made from cotton rope, jute, sisal and other natural materials. Set up by two friends Olga and Danijela, the pair make everything by hand from wall art, wooden serving trays and baskets to cushions. The baskets are great for decorative plant pots or home storage and come in a wide variety of sizes. Go to: www.dollmadesign.com

MARLA + CO 

For pretty decorative wall-hangings and tassel chandeliers, check out Marla + Co by Melbourne artist Shannon. The pieces are all handmade from natural materials and can also be made-to-order to exactly match your interior decor. All items are made to order and take between two to three weeks to produce depending on the size. Go to: marlaco.com.au

MILK WORKSHOP

These ceramic pieces have an artistic, minimalist style featuring unique shapes and detailed textiles in natural materials. The plates are detailed with beautiful line drawings and match fabulous gifts. Go to: milkworkshop.com

HUXTER HOME

Started in 2016 by Claudine Welsh, Huxter Home offers a mix of pretty gifting products, but its focus is on Australian-made soaps and skincare with unique packaging featuring the work of Australian artists using all natural materials and sustainable packaging. These products are perfect additions to any bathroom or powder room and make stunning gifts. Go to: huxter.com.au

LITTLE RAY DESIGN

Artist Jessica Anderson produces beautiful floral paintings that are the perfect addition to any home. Her works are available framed or unframed from The Artisan Storeroom or Forman Art & Framing, both stockists of more fantastic Australian artists’ work. Go to: www.littleraydesign.com.au

R2 DESIGNS

Gracie Ferro started R2 Designs for her handmade soy candles. All of her candles are non toxic and non-paraffin. Since the brand’s launch the online store has also begun stocking other Australian homewares brands including Kip & Co bedding, Sage & Clare bathroom goods – fabulous fun bath mats in particular –  and Summer Salt Body crystal deodorant. Go to: r2designs.com.au 

ROBERT GORDON POTTERY

This brand has been around for 35 years making handcrafted ceramics and pottery pieces in the back streets of Melbourne. Robert Gordon was an art potter who was also the son of renowned Australian potter June Dyson. The brand is known for its beautifully finished fine ceramic pieces including full dinner sets, stunning feature bowls, platters and vases, as well as cool items like keep cups. Everything is made on site in the Melbourne factory using their own unique stains and glazes with a range of traditional and modern tools, and sustainably recycling the clay offcuts. This is statement pottery at its best. Go to: www.robertgordonaustralia.com

SELJAK RECYCLED BLANKETS

Sisters Sam and Karina Seljak established Seljak in March 2016, with the aim of creating a circular production system. The brand works with Australia’s oldest mill in Tasmania and a 92-year-old weaving mill in Lithuania to weave recycled wool blankets made from a minimum of 70% recycled merino or lambswool and a 30% blend of other fibres (mohair, cotton and alpaca and poly). After you have finished with the blanket, the brand collects it free of charge and recycles it again into a new blanket. On top of these sustainable credentials, for every 10 blankets sold the brand donates one blanket to the Asylum Seeker Resource Centre (ASRC) in Melbourne. Most importantly though, these blankets are beautiful, super soft and amazingly warm. Go to: www.seljakbrand.com.au

STUDIO TINTA

The stunning hand-dyed bedding by natural dyer Katie Wilkins is not only uniquely beautiful but also all natural. Studio Tinta is based in Newcastle, NSW, where Wilkins hand produces her dyes using fresh and dried plant materials, non-toxic metal mordants, heat and water, before using them on natural fibres like silk, linen, hemp and organic cotton. The fabrics are then turned into sleepwear and bedding. Even the natural materials used to make the dyes are composted. The Studio Tinta silk pillowcases are made at a family run factory accredited by Ethical Clothing Australia, and the silk eye masks and scrunchies are handmade in the brand’s studio. Studio Tinta uses compostable packaging, carbon neutral shipping, and is plastic free. Go to: studiotinta.com.au

THIS IS INCENSE

If you love a scented home, try the Australiana scents from This Is Incense. These incense sticks are created from native Australian essential oils from the coastal surf spots of Bells Beach, Byron Bay and Margaret River, and are all hand-dipped in Melbourne. The brand also produces handy incense holders in ceramic, timber and metal. Go to: www.thisisincense.com.au

YUMMY LINEN

Yummy Linen is a bedding brand that offers a variety of products, but the highlights are their organic cottons, handmade Kantha bedding and bedding recycled from Indian saris. While the brand finishes much of its bedding in Australia, they also support ethical consumerism via support for small family manufacturers in India when they source their fabric. The brand also works with a small family run business that employs local villages to make Kantha fabric pieces. The men do the block printing, and the women do the Kantha hand stitching. The recycled sari fabrics are hand-dyed with plant-based dyes before being turned into soft furnishings. If you are looking for pretty, boho pieces for your home, this is the brand for you. Go to: www.yummylinen.com.au

WAVERLEY MILLS

Established in 1874, Tasmania’s Waverley Mills is Australia’s oldest working textile mill producing fabrics and products that are beautiful and last forever. The brand works with wool, alpaca, and cotton to create artisan crafted blankets, rugs, throws, scarves, and recycled blankets. The mill also uses the latest in sustainable production practices, that cover everything from fibre sourcing, minimising waste and using own unused yarn and to produce recycled blankets to distribution. Most importantly, however, is that these products are beautiful, comfortable, long-lasting and the perfect addition to add texture and luxury to a home. Go to: waverleymills.com

Discover new Singapore-based Fair Trade jewellery brand Atelier Agape

A long time ago I met Vera Mao as part of a Singapore Streetstyle contest; she was elegant, interested and interesting, calm and had a hidden passion for creating her own path. With the recent launch of Atelier Agape, Vera has manifested her potential. 

Atelier Agape Founder Vera Mao-1

Atelier Agape is a fair trade jewellery brand. All the pieces are handcrafted in an ethical manner by marginalised artisans in Jaipur. All the artisans are paid a fair wage and given training in enterprise building skills in conjunction with SETU, a fair trade organisation based in Jaipur. “During the pandemic, SETU has also used a part of its profits from jewellery production to prepare and distribute meals for the poor and destitute,” says Vera.

All of the Atelier Agape jewellery pieces are handcrafted from 925 sterling silver, gilded with white rhodium or 14K gold vermeil and do not contain any lead, cadmium or nickel, making it hypoallergenic and safe for sensitive skin.

Just in time for Mother’s Day, the brand is launching with a collection dedicated to mothers and their children.

Atelier Agape Fair Trade personalized jewelry lowres-5

“I am always moved by the emotional and undeniable connection of the maternal bond between a woman and her child. With several of my friends becoming new mothers, and having attended numerous baby showers, I was tired of the typical gift gifting traditions,” explains Vera. 

“I found myself seeking something different, something that would honour the start of this relationship that is so deeply meaningful. There are several mother-child matching fashion [options] but not in jewellery, which is a highly personal category.”

“Each piece is thoughtfully designed to allow both mother and child to latch meaning unto and cherish with time, through intricate details and free personalisation to tell each mother’s unique story,” explains Vera.

Atelier Agape Fair Trade personalized jewelry lowres-39

Tous Les Jours, which translates to ‘everyday’ in French, is the first Atelier Agape collection and is inspired by “everyday superheroes – real, modern, selfless mothers” says Vera. There are different styles to match different tastes, and the central concept is based on the idea of separating one into two – mother and child pendants that can be worn together, or separated to be worn by both.

Atelier Agape Personalized Jewelry-30

“Drawing inspiration from the idea that mothers always wish to carry their little one with them to keep them safe, the matching bracelet set features a Mama Bear and Baby Bear pendant that fits perfectly into each other in a perpetual hug, while the 2-in-1 Nesting Locket Necklace features a locket that opens to reveal an inner pendant,” says Vera.

Atelier Agape jewelry is available exclusively on www.atelieragape.com. All orders from first-time customers receive 10% off. Prices quoted in SGD. For Mother’s Day only, all orders made before 10 May will receive free gift-wrapping.  

Melbourne or Sydney, which one is actually Australia Fashion Week?

While I haven’t personally yet had a chance to attend Sydney’s fashion week – shout out to anyone who can get me an invitation! – I have, sat through the recent Melbourne version … and honestly wasn’t that impressed

Melbourne’s ‘fashion festival’ is more about marketing the city as a destination, like a food festival or the Spring Carnival. 

Sydney, on the other hand, appears to function more like a traditional fashion week; there are single-brand standalone shows, multiple shows per day, and more interesting and exciting off-site shows. Sydney is about fashion; Melbourne is for retailers. 

However, according to most reports and reviews, this year’s Sydney Fashion Week wasn’t all that exciting. A number of bigger name designers didn’t show – Dion Lee, Kym Ellery, Nicky Zimmermann, Romance Was Born, and Camilla and Marc were all missing – which while giving space to smaller brands, did mean a touch less glam on the runways. 

Best of the shows? Double Rainbouu, Christopher Esber, Lee Mathews, and Bassike were all standouts, particularly Double Rainbouu, which moved from Hawaiian shirts to a full range of ready-to-wear in a presentation at the coolest venue of the week, Sydney’s Chinese Garden of Friendship.

Despite, or perhaps because of, the national election being held on the same weekend, there was not a lot of politics or strong statements on the runways … It was mostly about pretty dresses for middle class women with cute swimwear and casual wear thrown in for a full Resort 2020 wardrobe. 

Likewise, there was little said or done that related to the current desperate issue of sustainability in fashion; while at least Melbourne held the Australian Fashion Summit which did feature at least mention of the issue. 

The biggest question, however, is why are there two different fashion weeks? Actually there are also fashion weeks for Perth and Adelaide (update: Adelaide Fashion Week has just been cancelled) as well, and various others irregularly held around the country. 

We don’t need more than one; we just need an Australian Fashion Week. It will save money, save on environmental costs and focus the talent all in one place.   

This article was first published in the iFab newsletter.

3 Singapore models …

Singapore models Pooja Gill, Diya P and Gernice all dressed up for Singapore’s National Day …

Creative Director: Niki Bruce
Models: Diya P @ Looque / Gernice L @ Now Models / Poojaa Gill
Stylist: Randolph Tan
Styling Assistant: Ong Jollin
Photographer: Tse-Wei
Makeup and Hair: Eric Tan, Adelene Siow and Leny Fu (PaletteInc) using Laneige & La Biosthetique

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