Live the ‘Happa Lyfe’ in living colour

Indonesian fashion brand Happa is a fun and fabulous brand with an underlying mission to support traditional Indonesia textile workers, the majority of whom are struggling, and to also create a female-positive space for women of all sizes, shapes and ages. 

Founded by Mel Ahyar and Andien Aisyah, Happa is part of the slow fashion movement; garments are made-to-order and require about five working days to be handmade in Happa’s ethically run factories. 

While there is somewhat of an ethnic vibe, particularly in the brand’s lookbook shoots, the designs are comfortably modern, rendered in vibrant shades with artistic details created by using various traditional handicrafts and techniques.

It is the richness of these traditional techniques and details, alongside the sumptuous materials that creates the luxe global vibe of Happa. Saturated colours, create pieces that easily fit into anyone’s wardrobe; wear the look head-to-toe or throw them together with a pair of jeans.

Part of the brand’s mission, ‘Happa Lyfe’ is both a loyalty programme and a social media hashtag that connects the label’s widespread community both in Indonesia, and overseas.  

Being based in Indonesia – a majority Muslim country – there is a certain level of modesty about the garments making them appropriate to be worn by hijabi women, while also offering pieces that can be worn in a less modest way.

Happa’s inclusive mission fits into the space of creating clothing for all women, which includes prayer appropriate cultural pieces like the ‘mukena’ redone in bright colours and prints.

Overall the cuts are forgiving, but also free in nature. It is the colours, patterns and additional decorative details that not only give the brand its own style, but also creates the signature ‘Happa’ style. 

You can shop Happa online at www.happaofficial.com

 

Dangerous and sexy: Thai label Takara Wong

Thai designer label Takara Wong was founded in 2015 by designer Thakorn Wannawong around the concept of ‘trial and error’, and influenced by subcultures and musicians across the world and history.

According to Wannawong, iconic tropes from the 70s or 60s for example, are mixed with an “aerodynamic sporty silhouette” which makes the garments timeless. The latest collection for 2020 is all about streamlined 70s leather and glam for the menswear pieces, and sexy leather and suiting for the womenswear. 

“Imperfections are what make things truly interesting, that is why the brand focuses on the underdogs of society and rebellious spirits,” states Wannawong on the website.

Wannawong is a graduate from Japanese design school Bunka’s Bangkok school, and he has always been interested in fashion, starting with designing pieces for family, and then moving onto creating costumes and outfits for his musician friends.

There is a very new YSL feel to the latest Takara Wong collection – lots of leather, lots of skinny guys and girls with shaved heads, tight and narrow cuts combined with slinky velvet. This is a very sexy collection; but there are also a number of sharp suits that can take you from day to night.

These pieces aren’t exactly cheap, but there is a level of quality and detail that is worth the cost – many of the pieces are ‘demi couture’ and need to be pre-ordered.

To shop Takara Wong, go to www.takarawong.com

Read more about interesting Asian labels: 3 eco-friendly Indonesian fashion brands to discover and Hemu, a Chinese designer brand, based in China

 

6 sustainable Australian swimwear brands to discover

Yes. Australia is the home of budgie smugglers, togs and swimmers. Just about everyone, no matter their age or size, has a pair of bathers in the cupboard. Some of us have entire swimwear wardrobes of up to hundreds of pairs. 

But, swimwear – particularly the fabrics they’re made from – are not particularly environmentally friendly. Most swimmers are basically made of plastic. 

With most of us now becoming aware of the issues surrounding sustainable clothing production, the need for sustainable swimwear has become a bit of a hot topic. 

There are a number of smaller Australian brands that have focused on creating swimwear in a more sustainable, or eco-friendly way – they use recycled nylon, or nylon made from recycled sea plastic, or reuse fabric waste. In their different ways, with their different styles, these brands are filling a gap in the market.

Camp Cove Swim

If you love colours and prints, Camp Cove Swim is a brand you’ll get excited about. The cuts are forgiving with high-waist bottoms and supportive tops in pretty graphic patterns and a range of colours from muted neutrals to bright primary shades. 

sustainable Australian swimwear brands CAMP COVE SWIM 1

The lining of the swimsuits are made of Econyl – a regenerated nylon made from fishing nets and landfill waste – and the prints are done using the sublimation printing process that uses no water at all to dye fabric. 

The brand also manufactures all their garments in a small town on the coast of New South Wales, and uses in-house scraps for their samples, and they on-sell their excess fabrics to local fabric stores. 

Check out the brand at www.campcoveswim.com

Salt Gypsy

This is a swimwear brand that’s all about surfing. The style and designs are functional – think rash tops, surf leggings, high-waisted bottoms, supportive tops and waterproof pouches – they also produce surfboards. 

The garments are made from Econyl, they use biodegradable packaging and produce the pieces in Australia using responsible manufacturing practices. 

Salt Gypsy started out in 2012 with the aim to develop the surf leggings for women surfing; and continues to be focused on creating a closed loop production system using ‘repolymerised’ waste materials and supporting the slow fashion movement.

Check out the brand at www.saltgypsy.com

Shade Swim

If you’re as scared of the harmful rays of the sun as I am, you need to check out Shadeswim. The brand was created by a young mother who suffered from skin cancer, and who wanted to create swimwear for adult women that is more covered up, and with a high level of sun protection. 

In Australia it is basically a law that children now have to wear full-coverage swimwear ie. rash tops etc, and full-coverage hats with neck protection at schools and public swimming events.

Shade Swim’s designs are not trendy, but they are comfortable and flattering for women of all ages and body types, they protect your skin and are made from a type of sustainable Lycra that is UPF 50+.

Check out the brand at www.shadeswim.com.au

Re-Swim Club

Yes, you can upcycle and reuse swimwear fabric according to Re-Swim Club, a swimwear brand that creates its garments out of what would otherwise be considered waste fabric. 

sustainable Australian swimwear brands RESWIM 1

The brand sources designer surplus, recycled materials, remnants and off-cuts to create limited run swimwear. All the pieces are hand cut and hand sewn to make the most of every little scrap of fabric. 

The swimsuit cuts come in classic styles like tank two-pieces and simple one-piece malliots, and since the fabrics change all the time, there are limited numbers of each piece. Interestingly the brand categorises its products by size – so you shop your size first and then see what is available. This makes sense considering the irregular amounts of each particular fabric. 

Check out the brand at www.reswimclub.com.au

Le Buns

Yes, this swimwear is designed to make your bum look good. If you’re looking for something a little sexy and love solid colour swimwear, check out Le Buns. 

These swimwear designs are a bit more on trend than some of the others, but there is a classic feel that makes sure you will have longevity from your swimsuit. The cuts of the bottoms are also a bit more revealing than more covered-up brands, for those who want to show off a bit more. 

The brand pays attention to its supply chain, using suppliers with sustainability and transparency credentials for ethical production. Le Buns also uses biodegradable packaging or home compost grade mailer bags for its online shipping, and even gives you a free wash bag so you take care of your swimwear in the washing machine so it lasts longer and you don’t need to replace it. 

Check out the brand at lebuns.com.au

Shapes in the Sand

This eco conscious swimwear brand is all about Australian nature, from the prints to the styles. Using sustainable and recycled fabrics, Shapes in the Sand produces limited runs – two or so prints per season – in a range of cuts that have been designed to suit all ages and body types. 

Like many Australian swimwear brands, every collection comes with a rash top – the cover-up of the Aussie beach – and different styles of bottoms depending on how much, or how little you want to show. The prints are based on the natural environment, and the brand’s models are more natural than fake. 

All manufacturing is done in Australia, with the aim of supporting a circular economy; the fabrications come from bio-based (plant) materials and recycled nylon from fishing nets and even carpet fluff! All their packaging is plastic free, and Shapes in the Sand also collaborates with a variety of non-profit environmental and cultural organisations.

Check out the brand at www.shapesinthesand.com.au

If you’re interested in supporting Australian fashion, follow @fashion_revival_runway to discover more cool, independent Aussie brands.

 

Avant garde Australiana: 3 interesting Australian fashion brands to discover

For a long time Australian fashion has been known only for its swimwear, beach wear, resort wear, flip flops, shorts, jeans, casual tees and Ugg boots. Now, with the world made smaller via the internet, some Australian designers are beginning to branch out into areas that are more fashion, than retail. In fact, some of the more interesting Australian brands have been around for decades … You just didn’t know about them. 

Here are three of my current favourite Australian fashion brands …

Et Al

Et Al is a Melbourne brand that has been around since 1987 when it was founded by Christine and Les Doughty, who still own and run it. This is one of my personal favourite Australian independent labels; it’s very Japanese-art-gallery-worker crossed with 90s goth and bits of Vivienne Westwood.

This is a brand that is strongly influenced by the Japanese designers of the 80s – think relaxed tailoring, lots of black, few patterns, multi-use garments and gender neutral designs. The current brand designer is Anthony Capon who won Project Runway Australia season two. 

Et Al is known for its quality of fabrics and finishings; there is a type of timelessness to the designs that make the pieces trans-seasonal. Et Al also supports other young and emerging Australian designers via its accessories stocks that feature artistic jewellery, as well as shoes and hats. The brand offers womenswear and menswear, but many of the styles are unisex. The use of muted colours and some prints adds depth to its more basic black core collection.

The brand produces limited runs of only 8 to 24 pieces of each style, and 70% of their garments are made in Australia. It is also size inclusive running from Australian size 8 to 18. Et Al is even age inclusive, featuring models of all ages in its social media and campaigns.

Follow the brand at @etalaustralia and shop the brand at etal-australia.com.

Alpha60

Another one of my favourite Australian fashion brands, Alpha60 is Melbourne born and bred, founded in 2005 by brother and sister duo Alex and Georgie Cleary. The brand’s name comes from the sci-fi classic movie Alphaville by Jean-Luc Godard. 

Alpha60 is another brand where you can clearly see the influence of the Japanese designers of the 1980s.

While there is not so much black, there are lots of cocoon shapes, volume, asymmetric cuts, simple patterns, little glitter or gloss, natural fabrics and size inclusivity ie. nothing’s too tight or too structured. 

Alpha60 is a brand that sticks to small production runs, using local sewers, and although it has around 10 boutiques in Australia and New Zealand, is still affordably priced in the lower contemporary range. I’ve bought a fair few pieces.

Follow the brand at @alpha60thelabel and shop online at www.alpha60.com.au.

Chris Ran Lin

This menswear brand is an interesting mix of JW Anderson menswear with touches of Off White and Korean brand Junn J. Based in Melbourne, this brand is probably the most experimental of the local menswear brands. Lin is inspired by “architecture, structure, and texture” which can be seen in the cuts, volume and use of wool fabrics. 

interesting australian fashion brands CHRIS RAN LIN 7

Lin is also known for his quality, but still interesting, knitwear. The use of various techniques to create lacey sweaters or bodycon tops, gives the brand the JW Anderson feel. Recent collections have shown a brighter and sharper use of colour, particularly the Uniform collection; note the ‘logo’ and use of red. It rather reminds one of something, does it not?

Although primarily a menswear brand, Lin has recently branched out to create a few womenswear pieces, and items that are distinctly non-gendered as well.

These appear to be more like luxe basics with a more elevated feel, rather than Lin’s more artistic runway garments. The newer items look to be more wearable for a wider range of body types as well. A good move in these uncertain times.

Follow Chris Ran Lin at @chrisranlin. Currently the brand is only available via the atelier, but there is an online shop coming soon

For more on Australian fashion, read Thoughtful, wearable clothes for every body by Jude Ng, and Small but mighty: 6 emerging sustainable Australian fashion brands

Small but mighty: 6 emerging sustainable Australian fashion brands

For a long, long time Australia was seen as a fashion desert, with its lack of ‘major’ brands, its odd seasons – compared to the rest of the fashion world – and the country’s laidback lifestyle. Even its most cultured of cities – Melbourne – tended towards the basics of shorts and tees in summer and tracky daks and uggs in winter. 

Somewhere in the 80s, however, there seemed to suddenly appear a nascent Australian fashion scene. Ksubi sent rats down the runway, magazines proliferated and the average Aussie girl started wearing cute little dresses and Sass & Bide lowrise jeans. Yes! Australia had fashion. 

By the beginning of the 21 century, unfortunately this burgeoning fashion industry started to collapse with the influx of high street brands from around the world; the introduction of online shopping seemed the final nail in the coffin of a small, off-season regional fashion industry. 

But all is not lost. In the last five or so years there has been a rise in small production, locally manufactured, sustainable fashion brands sprouting in Australia. These brands are focused on circular production systems, waste reduction, ‘slow fashion’, limited production runs, using sustainable fabrics and dyes, and generally not wanting to be ‘huge’ or international brands. 

As the coronavirus hits the global economy, many fashion brands are finding their supply and distribution chains at risk. In conjunction with these issues, more customers are thinking about the idea of #shoplocal, of supporting their local economy and small businesses. This situation therefore may become a great opportunity for small, local, sustainable fashion businesses. 

Here are six small, sustainable Australian fashion brands to check out. Remember, just because they are small, doesn’t mean they don’t sell online, and ship globally (in biodegradable packaging).

A.BCH

Founded in 2017 by Courtney Holm, A.BCH is a womenswear and menswear brand with many garments fitting into the non-gendered definition and in fact shot and sold on both men and women. The core of this brand is its circular production cycle, or circular economy standard.

sustainable small Australian fashion brands ABCH 3

The brand’s line of elevated basics are all made in Melbourne from organic, recycled and renewable materials; buttons are made from seeds of fallen corozo fruit and their factory is family owned and operated in Melbourne. 

sustainable small Australian fashion brands ABCH 4

A.BCH’s design is a mix of practical basics – sweaters, tees, shirts, pants, skirts etc – in muted neutral shades and simple patterns. There’s an earthy, relaxed and comfortable vibe about the brand, it’s almost anti-fashion.

Although the focus of the design is on reducing waste, the odd thoughtful detail on a basic garment helps elevate the brand to something a little bit more interesting.

Follow A.BCH on @abch.world and shop online at abch.world.

Nobody Denim

This Melbourne denim brand is all about sustainability and ethical production. Everyone knows that denim is one of the worst fabrics when it comes to pollution, water use and waste, which is why the team behind the brand is focused on making ‘clean’ denim garments.

All the garments are made in Melbourne with guaranteed fair working conditions employing over 80 staff; Nobody Denim is also accredited with Ethical Clothing Australia (ECA).

The brand is also very careful in where it sources its materials – which means working with suppliers who meet IS014001 standards, use natural enzymes in their laundry, have reduced their water use for certain processes by 50% and support Australian hardware suppliers like YKK zips to reduce their carbon footprint.

Nobody Denim doesn’t just do jeans, the brand also offers womenswear tops, skirts and even dresses in fabrics like organic cotton and silk. But it’s best pieces are the denim, particularly their season collection items like coloured denim, wide-leg jeans and slim cut denim jackets.

Follow Nobody Denim on @nobodydenim, and shop online at nobodydenim.com.

Kuwaii

Made in Melbourne brand Kuwaii was founded in 2008 by designer Kristy Barber and is all about the slow fashion movement and local production. The womenswear brand focuses on creating anti-fast fashion pieces that are less trend driven, more about personal style, comfort and longevity.

All garments are made within a 15klm distance from the design studio, and even its footwear is made by one of the last surviving Australian footwear factories, where each pair of shoes takes up to a day to make by hand. 

Kuwaii is also focused on transparency with its environmental goals posted on its website; it aims to be carbon neutral by June 2020. It’s packaging is either biodegradable, compostable, recyclable or reusable; even for online shopping the brand uses compostable bags and a biodegradable sticky tape. Fabrics are as environmentally sustainable as possible, the brand also uses surplus fabrics in their collections thereby repurposing waste from larger brands.

Kuwaii’s aesthetic is a combination of comfortable shapes, natural materials and colourful prints. The brand collaborates with local artists to create unique print runs on limited pieces, mixing these with muted solid colours and neutrals. It’s a casual brand creating comfortable clothes for women of all body types and ages.

Follow Kuwaii at @kuwaii, and shop online at kuwaii.com.au.

Joslin

Launched in 2018, Joslin is a womenswear brand based in Melbourne founded by designer Elinor Joslin. The brand is a slow fashion label with an emphasis on limited lines in sustainable fabrics. 

Joslin is a softly feminine brand and is best known for its signature linen dresses adorned with ruffles, pintucks, smoking and button detailing. More recently the brand is being noticed for its stylish and flattering range of knits, which also have a quietly feminine touch. The brand features a lot of traditional fabrications and techniques.

On the sustainability front Joslin uses 100% compostable bags and packaging for its online shipping, including 100% recycled tissue paper, and its international orders are carbon offset using DHL’s GoGreen Climate Neutral service.

The brand uses natural fabrics, and only uses synthetics if there is totally no other alternative; its signature linen and ramie fabrics, silks, organic cottons and merino wool fabrics are used in conjunction with recycled cotton and nylon. For 2020 the brand’s design team is working with natural dead-stock fabrics and working on discovering alternatives to synthetic fusings and plastic zips and buttons.

Follow Joslin on @joslin_studio and shop online at joslinstudio.com.

Devoi

Another Melbourne based brand, Devoi is all about slow fashion and ethical consumerism. Known for its original prints, the overall vibe is fun, colourful, wearable and comfortable. From its launch, the team behind Devoi decided to focus on ensuring ethical manufacturing practices and sustainability.

This womenswear brand’s design is less about trends and more about longevity – like most of the brands in this list. Devoi does not use synthetic fibres, instead using silk, viscose and linen – mainly because all these fabrics can be dyed and cleaned in cold water with natural detergents. The custom prints are digitally printed since it uses less water and produces less toxic waste. The dyes used for the printed fabrics are AZO free dyes and natural plant dyes.

The brand’s manufacturing is done overseas, however it works with factories that are connected to NGO organisations, supplying mattresses made from scrap fabrics for those in poverty. That same factory reuses cardboard boxes for delivery to Devoi. Devoi’s textile dyeing mill has a treatment plant that uses evaporation and separation technology to clean the water used in the dying process, and then reuses the recycled product.

In line with much of the slow fashion movement, Devoi produces limited runs so there is no wasted fabric or stock wastage, and the brand uses the print fabric offcuts to create accessories like belts, headbands, pouches etc.

Follow Devoi at @devoiclothing, and shop online at www.devoishop.com.

SHHORN

This brand is less a fashion label and more an art project led by Sean Tran. While SHHORN does produce clothes, it is also focused on creating handcrafted fabrics and other objects in search of the “inherent traits of natural materials through design and construction activity”. 

Tran is a self-taught tailor who used to be an architect and jeweller, and spends his time between an atelier in Sydney and a handcrafting fabric studio in the Blue Mountains. The resulting garments are hand stitched from fabric that has been crafted from raw fibres also by hand. 

There is something very Japanese about SHHORN in the way the process of the making is as important as the final garment; the pieces – both menswear and womenswear – have an old fashioned feel to them with a kind of artistic Amish vibe.

There is also an element of non gendered design, with pieces being shot on both male and female models. There are menswear pieces that echo womenswear cuts, and also a touch more of the Japanese artist’s aesthetic with short-cropped trousers and voluminous cocoon shapes for both genders. 

The cuts have a timeless quality about them with generic shapes being made important and interesting due to the way they are produced, rather than any strong creative urge. Accessories include kangaroo leather pouches and belts, all very authentic and hardwearing, again the design is about functionality and longevity. 

Follow SHHORN at @ateliershhorn, and shop online at www.shhorn.com.

For more on Australian fashion, read Thoughtful, wearable clothes for every body by Jude Ng.

Review: A Classic Carla collection

Carla Zampatti is one of Australia’s best-known, most successful and globally recognised fashion designers, and for her Grand Showcase she showed a classic collection.

Over 30 years ago, Carla Zampatti introduced me to the idea that fashion could be a career. As a teenager I attended a talk she gave about how fashion wasn’t a frivolous pastime, but something that could become a job for life.

Obviously the designer practiced what she preached. Zampatti opened her first store in 1972; that’s almost 50 years ago. And she hasn’t stopped working to create the classic Australian woman’s wardrobe.

For her Grand Showcase affaire at VAMFF, Zampatti held her own on the runway – the only brand to have a stand-alone show – with a series of wearable, stylish and elegant looks that held little overt drama but a whole lot of ‘chic’.

A Classic Carla collection 8

Luckily for me I was seated next to the lovely, warm, friendly and funny Robyn Baillieu, wife of the former Victorian Premier Ted Baillieu.

Chatting about her interest in fashion, especially how innovation is changing the industry, Baillieu said that she, and her two daughters both wore, and loved, pieces from the brand. And as Baillieu happily pointed out looks she loved and some that she already owned, it was clear that Carla Zampatti has developed into a label that suits a wide range of ages.

While the runway show was all about Zampatti as a designer, and the brand, it was also heartening to see so much inclusion on the runway. Globally there has been a lot of talk about the importance of including all races and creeds, and sizes.

While Zampatti featured stunning black models and Asian models, and included two hijabi looks, it would have been fabulous to see a few elegant mature women and women of different shapes on the runway too. Melbourne model Hanan Ibrahim (pictured below) was the first hijab model to walk the runway for Melbourne Fashion Week.

With a soundtrack provided by Eurovision songstress Dani Im supported by Nick Wales, Peter Simon Phillips and Jonny Seymour, the set of the Royal Exhibition Building resounded to a mix of contemporary soul and more instrumental sounds – the perfect accompaniment for the collection that was also a mix of classic and contemporary.

Opening with a series of classic Carla red looks, working through sky blue satin, a glittery houndstooth jacquard, leopard and zebra prints (with added bling), it was the tailoring, coats and jackets that showed why Australian women love the brand.

A stunning boxy double-breasted coat in boucle tweed stood out as one that would stand the test of time; as did a white wool suit with swinging fringe.

A Classic Carla collection 4 fringe

The houndstooth pieces, rather ironically considering the passing of Kaiser Karl, were reminiscent of classic Chanel – a comparison that can never be escaped when using that pattern in black and white. However Zampatti deftly added her own touch with a simple long skirt in once case, and a neat pair of capris in another.

A Classic Carla collection 6 houndstooth

There were a number of capes and capelets; the most successful being a beguiling caramel coat-dress in a lovely suede.

A Classic Carla collection 9 cape

Less successful were a series of graphic evening dresses – one with a mound of maribou, another not quite fitting the model correctly – as they seemed a little too ornate, especially when compared to other evening looks.

A Classic Carla collection 2 evening feathers

A classic ‘sexy’ mini encrusted in shining sequins and another evening gown that cleverly created a zebra stripe of shimmer seemed more streamlined and elegant.

A Classic Carla collection 5 sequins

Perhaps the most interesting and memorable look was a delicately pleated maxi dress with string-sized straps, a low vee neckline and perfect pleats front and back; the cut of the back was done to perfection as it sat proud from the shoulder.

This was a stunning example of quality tailoring, however it didn’t seem to entirely fit the rest of the more classic collection. Perhaps it is a new concept we will see more of in the future.

A Classic Carla collection 3 dress black

The show closed with a collection of black evening frocks that were again, more classic than cutting edge, not that this is a bad thing.

A Classic Carla collection 1 evening

Since the fashion industry currently appears to be having a crisis of conscience around the issues of sustainability and ethical fashion, it may be time to invest your money in pieces that will always look stylish, rather than just jump on a passing trend.

As the show ended, Zampatti received a standing ovation. Not many designers, even the big names in Paris, get that.

I attended VAMFF as part of its Writers Programme.

 

Review: A focus on fashion from Finland … the next big thing?

I suspect that few fashion people have ever considered Finland as a source of more than nice interior decor prints from Marimekko. Perhaps a few people interested in architecture and industrial design may have heard of Alvar Aalto. Finland, despite it being home to some of the founding designers of what’s now described as ‘Scandi’ style – white, minimalism, blonde wood, hand-crafted ceramics, pops of primary colours – is generally lost in the recitation of other Scandinavian countries when it comes to descriptions of style and design capitals of the world.

helsinki now finland fashion runway show singapore MENSWEAR DETAILS
Detail of the embroidery by Sini-Pilvi Kiilunen. Image: Niki Bruce, #shotoniphonex

This lack of awareness is rather unfortunate. Helsinki, the capital of Finland, is home to a number of excellent designers from fabric and fashion to interiors and architecture. It is also home to a rather good design school based at Aalto University, the country’s premier education institution.

In November 2017, at an elegantly intimate event in the new Andaz Hotel, a select group of Singapore’s fashion literati were finally introduced to some of the talent that’s currently coming out of the land of forests and lakes.

Finland’s Fashion Frontier was the first time Finnish designers were showcased in Singapore. Organised by Helsinki New (a really innovative company that promotes Finnish design and fashion), Helsinki Marketing (owned by the Finnish government) and in collaboration with Aalto University, five young designers’ capsule collections were shown on a runway.

All in all it was an interesting snapshot of a country’s design aesthetic, and quite an eye-opener for many a jaded fashionista’s palate.

Full disclosure … I have to explain that I once spent an enormously fun, cold, fascinating year in a small town in Finland – with lots of trips to Helsinki, of course. A town that was described by visiting Finnish makeup artist Miika Kemppainen as ‘hard core’. So I have a bit of a soft spot for the land of forests and lakes. 🙂

FINLAND’S FASHION FRONTIER … THE REVIEW

helsinki now finland fashion runway show singapore BACKSTAGE
Backstage at Finland’s Fashion Frontier show. Image: Franz Navarrete

Overall, I have to say that I was mostly impressed by the quality, and design sensibility of the five young Finnish designers – Rolf Ekroth, Anna Isoniemi, Sini-Pilvi Kiilunen, Janette Friis and Ida-Sofia Tuomisto. The menswear from Rolf Ekroth and Sini-Pilvi Kiilunen was particularly strong, and the disco-ball party outfits from Anna Isoniemi stood out as being very on-trend.

ROLF EKROTH, menswear

Rolf Ekroth creates the Finnish version of oversized on-trend streetwear. He will be one of eight invited Finnish designers at Pitti Uomo in January, and has already collaborated with Paris’ Galeries Lafayette on a Spring Summer 2017 capsule collection. His grasp of the current trend of ‘futuristic sportswear’ is obviously the reason behind his rise to popularity, since it’s so ‘hot right now’.

helsinki now finland fashion runway show singapore MENSWEAR GOLD
A look from Rolf Ekroth backstage. Image: Franz Navarrete

What makes Ekroth stand out from the general pack doing similar things is his use of materials. This is, in fact, the true strength of these young Finnish designers. Ekroth uses a material similar to foil warming blankets to create voluminous garments that are as light as air, but totally insulating (rather hot in Singapore according to the model); he also used a quilted waxed paper-like fabric, again lightweight but super insulated.

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Up-and-coming Singapore model Gabe Yap wearing a look from Rolf Ekroth. Image: Franz Navarrete

His colour choices and layering of prints is also solid and interesting; a jacquard camo print particularly stood out.

helsinki now finland fashion runway show singapore MENSWEAR BACK JACKET
A look from Rolf Ekroth. Image: Franz Navarrete

However, some of the pieces were just a touch too close to what’s happening in Seoul and around the world; the ‘coat as backpack’ and the connected jackets and coats zipped into each other, are reminiscent of Yohji Yamamoto’s latest collection and of course, Rei Kawakubo’s designs for Comme des Garçons. ‘Homage’ as they say is not entirely a bad thing, but with more exposure and growth the influences will become less obvious. Rolf Ekroth has a strong future; one to watch.

ANNA ISONIEMI, womenswear

If you believe you can never have too many sequins, Anna Isoniemi is the designer for you. The collection on the runway was inspired by racing cars and 1960s futurism – the second influence was clearly obvious in the graphic checked pants and polo-neck top, the linear stripes and the use of primary colours. The racing car influences were more hidden as textiles that imitated brand names and the simplistic use of numbers.

helsinki now finland fashion runway show singapore SEQUINS
Looks from Anna Isoniemi. Image: Franz Navarrete

The stubborn choice to use sequins en masse was a fortuitous decision; the ‘shine’ became a texture, adding a robotic fluidity to garments that really were very basic in cut and concept. Without the sequins, the collection would have been quite humdrum, with no quirks of cut or silhouette to make the clothes any more than current high-street items of pleated skirts, polos, wide-legged pants and oversized boxy jackets.

Anna Isoniemi is also a textile designer, which is why the colour choices were well thought through, but unfortunately we didn’t get to see her best work in this area, the sunset ombre sequin patterns that are also in her collection are lovely. It would be interesting to know what her clothes would sell for; too expensive and price herself out of the market for shiny party clothes.

SINI-PILVI KIILUNEN, menswear (or womenswear)

The feminisation of menswear is also a current fashion trend – JW Anderson, Blindness – and was covered by the work of Sini-Pilvi Kiilunen at the Finland’s Fashion Frontier show. His sumptuous velvets and indulgent embellishments of floral embroideries and ruffles layered over boxy military style coats could easily be worn by men or women. The fact that the fabrics and embroideries were also recycled added to the very ‘now’ feel of Kiilunen’s collection.

helsinki now finland fashion runway show singapore DETAILS MENSWEAR
Detail look at piece from Sini-Pilvi Kiilunen. Image: Franz Navarrete

While the concept could have become overwhelmingly sweet, the addition of fabric worked with hundreds of metal rings on pants and jackets, kept the sugar way with a dash of punk. Rich deep colours of vermillion, navy and aqua also helped add a more masculine aspect. Again, it was the use of colour and texture that made this collection less ordinary; the cuts of pants, shirts, jackets and coats were more classic than fashion-forward, though the proportions were interesting.

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Detail look at metal ring fabrications from Sini-Pilvi Kiilunen. Image: Niki Bruce, #shotoniphonex

Kiilunen was inspired by 19th century oil portraits of young boys, a fitting reflection on the current pop culture movement towards less gender definition in the world of fashion. Depending on how expensive these piece would be, the designer is sure to find a following. Very K-Pop; you could easily see a boy group music video coming down the runway.

JANETTE FRIIS, womenswear

Unfortunately I couldn’t really remember Janette Friis’ work until I got to the knitwear. Which, not surprisingly, is apparently her specialty. The languid, chiffon pieces in her collection were not particularly strong, too reminiscent of other designers and too obviously taken from her 1930s and 1940s inspiration. They all looked like boudoir pieces from old movies.

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Dress by Janette Friis. Image: Franz Navarrete

The knitwear, on the other hand, stood out. The cozy, slightly oversized iterations of pussy-bow blouses and pencil skirts looked fresher. Although to make the concept stronger, Friis would have done well to exaggerate the proportions even more than she did.

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Singapore supermodel Jean wearing Janette Friis. Image: Franz Navarrete

At this stage her work still seems to lack a strong point of difference, the more interesting items are a bit too ‘fashion’ for easy retail, and not quite ‘fashion’ enough for the high-end style market. There’s lots of potential here but it needs refining.

IDA-SOFIA TUOMISTO, womenswear

Ida-Sofia Tuomisto’s collection is apparently focused on the materials, the ‘breaking down and reconstructing [of] garments to create a final result that is both new and fresh’. Unfortunately the finished result did not seem all that new or refreshing. The mix of hard and soft textures is not new, the painting of fabrics is not new, the cuts were entirely too reminiscent of recent collections from Loewe and even Dior.

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Singapore model Jean wearing a look from Ida-Sofia Tuomisto. Image: Franz Navarrete

Overall, Tuomisto’s collection was perhaps the weakest of the five shown at Finland’s Fashion Frontier. However, again, the work was saved by the use of colour – one oversized t-shirt dress showed a nice use of autumnal colour and looked much more comfortable to wear. This would be a more interesting direction to take for future work.

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Look from Ida-Sofia Tuomisto final collection runway show in Finland. Image: Helsinki Now

The use of hard-textured materials combined with hand-manipulation would make it difficult to translate Tuomisto’s work into a retail range at a reasonable price; but something could be done with the dress mentioned above.

OVERALL THOUGHTS & MUSINGS …

One of the things I love about Finland as a country and culture is that it is on the border of West and East, despite not many people being aware of it. I always refer to Finland as being the ‘Tokyo of Europe’ in that it has its own slightly quirky perspective on the world; it celebrates the creation of things, not just the final product; it has an educated, polite but just-a-bit odd population that is as happy dealing with issues at a global level as it is sitting in a wooden hut in a forest next to a lake.

Miia Koski, the managing director of Juni, the company behind Helsinki Now, told me that Finnish design is a mix of Scandinavian minimalism and love of natural textures, with the celebration of bright colours more reminiscent of Asia. And she’s exactly right.

Finnish fashion is a mix of the bright and crazy colours and textures we in Asia are so fond of, with the clean lines that are not only the hallmarks of Scandinavia, but likewise of traditional Japanese design. Finland is the Japan of Europe, but it’s also very much its own world.

Helsinki New is a series of fashion projects organised by Juni Communication & Production. Go to www.helsinkinew.com and check out its instagram account @helsinki_new

Finland’s Fashion Frontier Show
Venue: Andaz Hotel Singapore
Production: Saara Sihvonen
Hair and makeup team lead: Miika Kemppainen